Copyright, defamation, right of publicity, music and film licensing, DMCA takedowns, talent contracts, and digital media disputes — what the law actually says and what actually happens, written and edited by a former federal prosecutor.
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DMCA takedowns, cease-and-desist letters, and when to escalate to a lawsuit.
Copyright settlements, defamation retractions, licensing deals, and the cases that went to trial.
Decades inside federal court — now explaining entertainment and media law from the defense side.
Entertainment lawyers handle copyright registration and infringement, defamation claims, right-of-publicity disputes, talent contracts, NDAs, music licensing, film option agreements, and digital media takedowns under the DMCA. They protect creative work and negotiate the deals around it.
Public figures must prove actual malice — that the false statement was made with knowledge of its falsity or reckless disregard for the truth (New York Times v. Sullivan, 376 U.S. 254). This is a much higher bar than for private individuals, and it shapes every entertainment defamation case.
Not without permission or a clear fair-use / First Amendment defense. The right of publicity protects a person's name, image, and likeness from unauthorized commercial use. Even a social media post can trigger a claim if it implies endorsement or is used to sell something.
You typically need both a sync license from the publisher for the composition and a master use license from the label for the recording. Streaming platforms like YouTube and TikTok use blanket licenses for some catalogues, but original productions almost always need custom clearance.
The Digital Millennium Copyright Act (17 U.S.C. § 512) gives platforms a safe harbor if they respond to takedown notices, and gives creators a tool to remove infringing content. It also has a counternotice process if your content is wrongly taken down — the system is fast, but misusing it carries legal risk.
The Fappening Top is an Axis legal authority resource edited by John D. Kirby, a former U.S. federal prosecutor. Every guide is written to one standard: what entertainment and media law actually says, in language a non-lawyer can use. About this resource →